Continuity and Innovation: Contemporary Film Form and Film Criticism

Contemporary film displays both its debt to the established forms and practices of narrative cinema, and to international developments in aesthetic practice and in new technologies that subtly shift the boundaries of cinema's aural and visual field.
...

Contemporary film displays both its debt to the established forms and practices of narrative cinema, and to international developments in aesthetic practice and in new technologies that subtly shift the boundaries of cinema's aural and visual field.

At the same time, contemporary film criticism negotiates a shifting relationship with its own histories and present – its histories of textual analysis and film theory, and its present landscape of concerns with identity, new delivery and reception contexts, digital remediation, and so on, explored against the backdrop of a volatile socio-historical moment.

» more

Are you the conference organizer?

Report a Problem With This Conference